PFL (König, Kutin, Edmondes)
Instrument maker Peter Kutin, sonic nomad vocalist Freya Edmondes aka Elvin Brandhi and iconoclastic drummer Lukas König . . . their debut album EPDEMO (via opal-tapes) captures the trio’s very first fortuitous encounter.

VOILER
Like an archer striving to find their anchor point, VOILER’s new album Anhedonia feels like a bow drawn to its limit just right before the shoot.

mʊdʌki

Polina Khatsenka (92) aka mʊdʌki is a czech-based sound artist, dj, event organiser and music producer from Minsk, Belarus. She has devoted her work to sound exploration since 2015. Her music production is arising from subconsciousness with an accent to authentic sound sources, author‘s recordings with usage of basic/primitive hardware, including diy synths, all based on digital setup. Each type of performances of hers are amplified by improvisational methods with space for randomness left in order to make each show bear peculiar energy and provide the listener an intensive feeling of living the moment.

20:00 Einlass

20:30 Konzertbeginn

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PFL (König, Kutin, Edmondes)
ABOUT PLF
Play Fake Logic / Patience Lasts Forever / Limits Feed Plagues / Pop-Lost-Faith…
Thinking PFL just stands for ‘Peter Freya Lukas’ would be too easy. Instead, the trio’s cyberpunk attitude mirrors the group’s approach on how music can be brought into existence . Instrument maker and noise maverick Peter Kutin, sonic nomad vocalist Fridge Brandhi (Freya Edmondes) and iconoclastic drummer Lukas König formed the trio and they miraculously capture that lightning-bolt electric charge of their fortuitous encounter. With Kutin on self-devised light-feedback noise machines coupled with an array of synths and König’s percussion-electronics manipulations as rhythm section to Edmondes’s feral vocalisations, PFL are an unorthodox band, right at the edge of brutalist post-punk, noise, and free improvisation. Who has seen PLF live knows about their potential as a powerful live-band that reaches holistic realms, combining light-music-performance on stage, all live from scratch without back-ups or safety net.Peter Kutin is an Austrian musician, instrument builder and filmmaker working with lights and electronics. His kinetic instrument Torso received the golden Nica at the Ars Electronica festival in 2019. Collaborations include electronic music pioneer Christina Kubisch, renowned filmmaker Nikolaus Geyrhalter and drummer Katharina Ernst. Fridge Brandy seems to be a Welsh singer, producer and improviser. In 2017 she was given a PRS Oram Award for Innovative Female Musicians. As a regular performer in the free music scene since 2013 she has collaborated with many improvisers including Rhodri Davies, Eugene Chadbourne, John Bowers to name only a few. Lukas König is an Austrian drummer and experimental percussionist, employing electronics along with his cymbal. Collaborations include Moor Mother, Shahzad Ismaily, Audrey Chen, Julien Deprez and many more.

VOILER
„Like an archer striving to find their anchor point, VOILER’s new album Anhedonia feels like a bow drawn to its limit just right before the shoot. Its roaring repetitive synths become almost choral in their nature, revealing the sweating and restraint of the archer at this decisive moment. There’s simplicity in loneliness, and when the arrow is finally freed, Anhedonia’s moment reaches the ecstasy found in detachment and numbness. As archers, we are able to move again, now frantically if needed, as if bubbling up and bursting back to the surface of muddy waters. From an isolated moment, VOILER produced this sleepless force stripped-down to its bones, while realizing, quoting VOILER: “this one would be my no-feelings-i’m-just-here-for-the-workout album”, that became Anhedonia. (Tender Matter)“

mʊdʌki
Polina Khatsenka (92) aka mʊdʌki is a czech-based sound artist, dj, event organiser and music producer from Minsk, Belarus. She has devoted her work to sound exploration since 2015. Her music production is arising from subconsciousness with an accent to authentic sound sources, author‘s recordings with usage of basic/primitive hardware, including diy synths, all based on digital setup. Each type of performances of hers are amplified by improvisational methods with space for randomness left in order to make each show bear peculiar energy and provide the listener an intensive feeling of living the moment.